ISBN: 0375422749
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Avg Cusomer Rating: 1
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Summary: Yikes, this was frustrating!
Like most people, I bought this book by Julia Glass because of her "Three Junes." I struggled through it, not quitting because I was hoping that it might correct itself, was leading to something, or that the rambling and disconnected writing -- full of so much superfluous detail (example: Toward the end of the book, the characters, most of whom are quite unlikable and often cartoony, play Scrabble and we get to play along, learning what words they play and where, even though this has nothing to do with the plot line, what there is) as to be ridiculous. The book had the feel of someone writing frantically to fill pages because there was a deadline looming. I heard myself saying or thinking as I began another long section: "Good God, where are we heading here, why are we being told this?" I also realize that a protagonist is a cook, but the attention to meal descriptions became laughable. I am a prodigious reader and also a writer and admire the craft. I admire Ms. Glass, and I know she is a pro, but I feel badly for her that her editors allowed this one to see the light of day. But here's the good news: Books I have not liked have been known to win major literary prizes. So . . . .
Summary: Wow, this is a tough crowd
Am I the only one who found this book more cohesive than Glass's first? I enjoyed both. The Whole World Over is full of life, full of the way real parents relate to their children -- partly generous, partly narcissistic, all intense -- and full of the ambivalence that is present in most relationships. I appreciate that the children in the book are never totally reduced to cuteness. If you are looking for a total immersion in downtown NYC as lived in by complicated middle-aged people, you will find it here. Agreed that there is too much about food and too much detail, but overall I found the book a very satisfying read and I continue to mull over the characters. It is a book full of loss and birth and loss. It reflects, without cliche, the very many different ways people make lives for themselves and find connection.
Summary: "Breaking through the baby cross-roads"
Author Julia Glass in her new novel The whole World Over presents life through the eyes of an eclectic collection of characters whose lives intersect throughout the few years leading up to the fateful events of September 11th. Greenie Duquette thinks she has everything. A successful Greenwich Village pastry chef, Greenie owns her own catering business, and is married to psychotherapist husband Alan. They have a four-year-old son George, who is an avid reader and somewhat of a child prodigy.
But Greenie's tranquil and settled life belies fact that she's just aching to break out of the mold. When her best restaurateur friend Walter tells her of a job opportunity to be private chef for the Governor of New Mexico, Greenie jumps at the prospect. She doesn't hesitate to move to Santa Fe, taking the young George with her. Alan, of course, is slightly chagrined, underhandedly resenting Greenie's success, but stubbornly refusing to join her.
As a result, the couple's marriage slowly fractures and they drift apart. Greenie hooks up with Charlie, a handsome old flame, whilst Alan discovers that he once fathered a child with Marion, a high-school sweetheart. Meanwhile, the inexplicably blessed and footloose Walter becomes embroiled in a romantic entanglement with Gordie, an attractive attorney, who is in long-term relationship with Stephen. Stephen and Gordie are Alan's patients, and both were thinking of adopting a child until Gordie unceremoniously dumped Stephen.
But is Stephen's passion for child rearing only masking his heartbreak, in which the bubble might ultimately, burst? The passion of the young twenty-something Saga - who coincidently meets Alan on the street - is to care for lost animals. She hooks up with the older cynical Stan, an organizer of a group of people to look out for strays and rescue abused animals in Manhattan. Saga is trying to take back her life after suffering from a devastating brain injury. She not only finds solace in Alan's friendship, but also seeks comfort with Scottish bookseller Fenno McLeod.
Together with a large supporting cast, Glass' characters are consistently orbiting each other in a type of six degrees of separation-like fugue, where the actions of a person in New York at the end of the day influence the life of someone in Santa Fe or San Francisco. The central protagonists in this novel always seem to be yearning for the same things - love, respect, and even babies, and all at various times are plagued with doubts, regrets and agonies.
Deep down Greenie yearns to escape this city, and getaway from the anxieties of how to get along with her husband and how to afford a home where her son can have a real room. Walter is glad to be sentimentalist, and is unashamed of the homeliest pleasures, but his life is thrown into chaos when his young nephew arrives from San Francisco to stay for an extended period. Saga is confused and in pain and humiliated by the inability to recover parts of herself that she could almost recall. And Alan must wrestle with his own demons, especially with guilt over his infidelity with Marion all those years ago.
As the past progressively encroaches on the present - there are meticulous back-stories on each character - Glass steadily draws her protagonists into the chaos of 9/11. Greenie - obviously the central character - is unable to deny the reality of her situation - she can evidently have a great life in Santa Fe, but her dilemma is whether she can forsake her marriage and her husband for this life. Soon she discovers that her two worlds are not as easily separated, as she believed.
These people inhabit a loaded, political, euphemistic, and convoluted world and although they might venture into "the whole world over," in the end they return to their separate colonies. The themes of baking and cooking appear throughout and it's as though Glass is almost intent to liken her characters to recipes. The realization, however is that people are in the end not at all like recipes, "you could have all the right ingredients in all the right amounts and still there were no guarantees."
Meticulously written, The Whole World Over is a conversationalist's delight. The dialogue is witty and clever - keep in mind, these are all highly intelligent and cultured people, who also just happen to be remarkably spirited and who set upon life with a gusto that is undiminished, and almost certainly revered.
At over five hundred pages, the book is indeed a weighty tome, and sometimes it is not as tightly knit, as it should be. The convoluted storyline - as it switches from Santa Fe, to New York and then on to Maine - along with the endlessly droll conversations end up making the novel a bit tedious.
The characters are nothing if not educated and presumably smart enough to work their problems out and along the way, they are constantly tested by events often beyond their control. There is so much life embedded in these characters that you can forgive any of the novel's apparent shortcomings. Mike Leonard July 06.
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