| Worlds Together, Worlds Apart: A History of the Modern World (1300 to the Present)
Publisher: W. W. Norton & Company |
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| ISBN: 0393977463 List Price: $80.95 Amazon Price: $80.95 Usually ships in 24 hours |
Avg Cusomer Rating: 2 Reviews: Summary: Organization? Is that not in the authors' dictionary? While this book contains valuable information it seems horribly put together in seemingly random order. Many-a-times I found that I would be reading the exact same sentence in Chapter 3 as in Chapter 4. The authors largely ignored any sort of geographical or chronological organization and just puts sections in wherever the mood struck them. Summary: book the book arrived in the same condition they said it would and arrived when they said it would Summary: Try Harder Not only does this provocative narrative dramatically depart from the admittedly tired "rise of the West" storyline - it departs from the purpose of an educational text altogether. The writing in this book is, in a word, pathetic; the authors don't even appear to have a grasp of how to construct a paragraph. The powerful ideas and the context-hungry hodge-podge of stories in this interpretation of the history of civilization since 1300 are skewed by the authors' blatant preoccupation with the cultural dis-integration of contemporary Globalism - to the point of affecting the architecture of the book itself. Readers who flee from the possibility of understanding anything will certainly be engaged by the colorful pictures in this book. The rest of you would do well to keep shopping. Summary: |
| How the Irish Saved Civilization (Hinges of History)
Publisher: Anchor |
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| ISBN: 0385418493 List Price: $14.00 Amazon Price: $10.78 Usually ships in 24 hours |
Avg Cusomer Rating: 1 Reviews: Summary: Bad Bigoted History. Read the top most "helpful reviews of this shockingly offensive pamphlet." I am sure you will find the one star reviews far more honest and detailed than the "Naive positive reviewers." There are always people who will whitewash bigotry if it supports their own ethnic delusions of grandeur. I am the third Asian person to boycott this author. I have noticed that many others agree with us. THE TRUTH WILL SET YOU FREE. Summary: Ubermonkey says thumbs up THE GOOD: I thought this book was entertaining and mildly informative. I know, as a piece that is supposed to tell us how the Irish saved us all, maybe "mildly informative" isn't the best way to describe it. But, I consider this book to be in the category of "history-light" - as in - there is some historical context but this is not the book you want to read for heavy Celtic information. It is similar to some punk bands now adays...where some people may consider Blink 182 a punk band, they are in fact, "punk-light" meaning they are "punk" for people who really don't want to delve into what punk really is...if that makes sense...overall, Cahill does write in an entertaining way and I never really found myself skipping or glossing over sections of this book. THE BAD: Well, the bad is in fact that the book is "history-light." I should have known by the small size of the book (260 some odd pages or so) that the writer wasn't going to submerge us into Celtic or Irish history. I would have preferred something a little more in depth. THE UGLY: At first I thought that Cahill was something of a Irish-uber-all-ist until I saw the titles of his other books. There were times when he presented the Irish as the grand masters of all good while others, typically those who looked at the Irish with disdain, were mere knuckleheaded cavemen. The title presents itself to be a grand occasion, telling all the readers that we will learn how the Irish saved the world...however, up until the last pages, when Cahill actually wrote "..and that is how the Irish saved civilization." I was confused as to what exactly the Irish did to achieve such a compliment. I think calling the book, "How the Irish HELPED Civilization" would be more appropriate. Ubermonkey says that all in all, this book is a short and entertaining read. But if you are looking for deep historical value here, you will not find it. Seaerch elsewhere. Summary: FLUSH TO THE TENTH POWER! All, and I mean all of the negative reviewers are right. This is the worst written book I have ever had the displeasure of plodding through. Incoherent fictional menure. Only in the historically illiterate USA would people believe this bigoted Irish Cabbage. Flush and flush again. Summary: |
| The Politics of Skepticism in the Ancients, Montaigne, Hume, and Kant: Montaigne, Hume and Kant (Brill's Studies in Intellectual History)
Publisher: Brill Academic Publishers |
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| ISBN: 9004094598 List Price: $142.00 Amazon Price: $142.00 Usually ships in 24 hours |
Avg Cusomer Rating: Reviews: Summary: |
| The Face of Battle: A Study of Agincourt, Waterloo, and the Somme
Publisher: Penguin (Non-Classics) |
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| ISBN: 0140048979 List Price: $14.95 Amazon Price: $9.72 Usually ships in 24 hours |
Avg Cusomer Rating: 5 Reviews: Summary: A Modern great book of Military History. Buy it and read it! `The Face of Battle' by renowned English military historian, John Keegan is one of those books I would always keep in stock if I were managing a bookstore. In its own field of `analytical' military history, it is probably one of the two or three most important works available to the average reader (that is, not including classified material and training material reserved for the world's professional military at West Point, Sandhurst and what have you). This is the kind of book you always want to find as quickly as possible when you become interested in a new field. Like `Principles of Gardening' by Hugh Johnson, `Mastering the Art of French Cooking' by Julia Child and Snedecor and Cocheran's `Statistical Methods', these are the books which, while not complete, are the kinds of works which can inspire on in a subject as well as simply provide good information. They are the kinds of books that should be at the top of all bibliographies that survey their subjects. When my method of choice for misspending my youth was playing wargame simulations when practically the only way to do this was with cardboard counters on a 28 by 32 inch hexagonally gridded map, I stocked up on all sorts of glossy picture books on maps and descriptions of classic battles. One of the most common statements in these books was the importance of `mixed arms', meaning that a combination of infantry, mobile (horsepower or motorized), and indirect fire (slings, archery, artillery, rockets) was always more effective than one type of force going it alone. Unfortunately, none of these books did a good job of explaining how this really worked. Keegan's book addresses this and many other similar important aspects of military operations. And, he addresses these matters for battles in three very different eras of military technology and sizes of military forces. The most salient difference between the three battles is that each later battle took place with forces and venue easily a whole order of magnitude larger than the one before. The French and English forces at Agincourt, for example, faced one another across a front of about a third of a mile. The Napoleon's French and the allies commanded by the Duke of Wellington at Waterloo faced one another on a front of about 3� miles (not including the curl of the right flank when the Prussian IV Corp. arrived in the evening. On the Somme, the British faced the Germans on a front of at least 15 miles. The weapons were also different by a less precise order of magnitude. The queen of the battlefield at Agincourt, which famously beat the much larger French army was the English longbow. The dominant weapon at Waterloo was the artillery which, in battles up to the American Civil War, was a direct fire weapon, placed in front of the infantry or at least interspersed with infantry battalions. The dominant weapon at the Somme was the indirect firing artillery and the machine gun. The tank did not play a major role in the battle of the Somme and it is clear in this book that the original objective of the tank was as a counter to the deadly effectiveness of the machine gun, which dominated infantry battles even more than the famous artillery of the time. It is not too surprising that an English military historian should choose to write about three battles where an English army or English lead coalition was one of the two major combatants. The first is also not surprising because, as Keegan points out, the Battle of Agincourt was remarkably well documented compared to other military actions of the period. Once Agincourt is chosen, it's an easy jump to another important English battle that is also distinctly different in technology and size. It is easy to talk about Waterloo to an English speaking audience since such a large part of that audience would know Waterloo better than almost any other battle with the possible exception of Gettysburg where, unfortunately, the English army did not make an appearance. It is easy to see why the last of the three was the battle of the Somme, as the most important elements were those which colored the whole history of this war. That is, trenches, artillery, infantry, and the machine gun. One surprise is that in spite of the 100 years between Waterloo and the Somme, the battle for the Somme was actually simpler to analyze. Cavalry had disappeared from the field as an effective force and the tank had not yet arrived to replace it, artillery had fallen back to indirect fire positions, and the most important contact was between advancing infantry and entrenched machine gunners. This was after the brief `age of rifles' which dominated the 19th century wars of colonization and before true mechanized warfare. The truest measure of the book's importance is that it gives us tools with which we can analyze other battles, providing the narrators of other conflicts are kind enough to give us the right information. But now we know what to look for, thanks to Keegan's very important book, to which all his later works seem to be applications of the same point of view. Absolutely essential for any fan of history. Summary: Classic of its Kind Its impossible not to see how much this landmark influenced military history. So many authors publishing works today were inspired by Keegan many years ago. The main strntghs of Keegan's work is the approach he brings to studying military history. The first portion of the book is taken up with a fascinating discussion of the history of battle piece writing. Keegan shows what has been done, and how many works tell us very little about the events which they purport to describe. Too many books have approached the subject of battle writing from the top down. What the general(s) were doing. The strategy of war itself, the intricate planning and preparation for battle. Many historians busy themselves more with minute descriptions of topography, showing us that yes, they actually went to the place in question! Many more don't even bother as much! Keegan tries to tell us that this tradition follows heavily on the old Roman writings of Caeser and others. These were often works of propagandistic nature, meant to embellish the campaigns of the writer. The Greek school, older than the Roman provides a more varied and individualistic perpective. Keegan tells us that it is the later method that we should try more to write in our study of military history. Unless we begin to understand what the mechanics of battle are, from the actual participants themselves, we may never truly understand what warfare is. This means paying closer attention to chroniclers and memoirs, and often reading inbetween the lines to glean more detail out of their accounts. Many times these works implied certain knowledge and thus tended to express their accounts in ways which a targeted audience of the day would easily understand. Over the decades and centuires we have lost that imtimate association with the events and we must re-learn what was implied in many first-hand accounts. This can lead to distortion if not carefully done. As modern historians we can often read what we want into these older works, and the results can be further disruptive toward our greater understanding. Keegan's systematic approach toward three distinct battles from the Middle Ages to WW1 is intended to provide a large cross-section of historic warfare. By choosing three distinct battles from history, we can chart the differences and similarities of warfare over the ages. We can also reappraise what have often become standard, famous accounts of well known battles. In each battle Keegan breaks the action down to various tactical componets, allowing the reader to see how different parts of armies were suppose to work against each other. For Agincourt there are only a few established chroniclers to choose from, but a careful reading of their descriptions armed with the intent to analyse their words in a more tactical sense can still provide useful information which might challenge long established views. With Waterloo there are a plethora of memoirs which were put together by Sibourne to describe the British aspect of the battle. Keegan intertwines them quite usefully to get at different details of the battle, but it is unfortunate that he limits his eye-witnesses to only English written works. Subsequent research has shown that many French, German and Dutch/Belgian accounts were written in their own languages. If Keegan had included some of these an even greater perspective of Waterloo might have emerged. This dates his research somewhat, but it does not openly detract what he sets out to do. So many military historians have barrowed from the Keegan method that plagarism no longer really matters. The research methods of this book have become part of the military history lexicon. While the three battles discussed are all well known, each has unique aspects brought out, and the nuts and bolts human elements examined brings out many hidden details. All combines to provide a more thorough and complete understanding of what battles were like. All serious students of military history should read this book. Summary: Eye-opening As an un"blooded" new infantry officer, I am quite interested in what to expect should I find myself facing combat. This book tackles that issue in a direct manner. Keegan has written a very readable description of what soldiers face on a battlefield; from the sensation of up-close killing to the plight of the wounded and captured. He does not moralize (except perhaps at the end where it's appropriate). He wrote this in the mid-1970s and at the end he predicts that war has made itself obsolete. Obviously we've managed to find ways around the nuclear threat. I highly recommend this book to those wanting a realistic, scholarly approach to this topic. Summary: |
| Dictionary of Ecclesiastical Latin
Publisher: Hendrickson Publishers |
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| ISBN: 1565631315 List Price: $29.95 Amazon Price: $18.87 Usually ships in 24 hours |
Avg Cusomer Rating: 4 Reviews: Summary: Good if you know Latin and want a specialized dictionary This is not a general Latin dictionary. If you are learning Latin, you are better served by the Collins Gem Latin Dictionary. However, if you already know Latin and want a reference specifically for Latin as used in Ecclesiastical documents, this is a good reference. Remember that it is a specialized subset. Think of it like a "Dictionary of Medical Terms". You would not use that dictionary to learn English, and you would not use this dictionary to learn Latin. You need a general Latin dictionary to compliment this one. Summary: A handy , useful book I agree with Ryan R. Grant's review below. It will be easier to use by someone with some familiarity with Latin. On the positive side, it is sturdily bound and neatly formatted with clear print on eye-ease paper--very convenient to use. But one thing that no one has mentioned so far is the accents. Following the practice of ecclesiastical latin, this dictionary uses acute accents to indicate the stressed syllable of each Latin word. This will be a minor annoyance for the user who tries to determine the stress on some verb forms. For example, the present tense of the verb "invenio" appears with the stress on the "e"; But there is no indication of how to determine where the stress falls on the second-person and third-person forms of that verb. On the other hand, in a classical dictionary where long vowels are marked by macrons; the lack of a macron written over the "e" in the verb "invenio" conveniently indicates that the "e" is short and that the stress must recede to the first syllable on those forms. Ultimately, the user of this dictionary will need to refer to a classical dictionary for this information. Another minor inconvenience is that I-stem nouns are not marked. There are about fifty of them in use; and although they can now be found on line with a little digging; it would have been convenient to have I-stem nouns indicated in this dictionary. Summary: Not enough definitions to be useful I bought this book to help me translate the Vulgata, wich is the Latin Bible, and although it is purported to be a dictionary of Ecclesiastical, or Church Latin, it is missing a large amount of words. On the first page of the Vulgata there are about a dozen words wich are not listed in this book. There are five words in the first 4 verses of Genesis alone that are not defined by this dictionary. How in the world does a dictionary of Church Latin not allow you to understand the Latin Bible. The author should be sued for fraud. Summary: |
| Antigone, Oedipus the King, Electra (Oxford World's Classics)
Publisher: Oxford University Press, USA |
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| ISBN: 0192835882 List Price: $7.95 Amazon Price: $7.95 Usually ships in 24 hours |
Avg Cusomer Rating: 5 Reviews: Summary: Translations Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult. Here's what I've found by comparing several editions: 1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English. 2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick. 3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites." 4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work. 5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison. 6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this. 7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more). 8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation. 9. Taylor: Way too wordy. Might be more literal, but again, why? Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely. Summary: Antigone, Oedipus the King, Electra (Oxford World's Classics) Did not look like it was in new condition. Summary: great translation As a Classics major, I've had to read these plays countless times. Last semester, I picked up this book while writing a paper on Electra, and I fell in love with it. The text that I had previously admired for its ideas I now respected as a work of art. Kitto's words bring a life and humanity to the text that other translations lack. It was like reading the plays again for the first time. Summary: |
| The Odyssey (Cliffs Notes)
Publisher: Cliffs Notes |
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| ISBN: 0764585991 List Price: $5.99 Amazon Price: $5.99 Usually ships in 24 hours |
Avg Cusomer Rating: 5 Reviews: Summary: TURNED "ROCKET SCIENCE" to Reading Ease Homer's The Odyessey is a drudgery to read not to mention understand. This book took the pain and bordom of that and shortned it to a 1 hour (45 if your a fast reader) book that keeps all the details (for your reading pleasure) and explains the importance of each section in relations to High School which actually helps a ton. (pulled my grade on this from the usual B to A thanks to this book). Summary: Cliffnotes This is a great way to help you better understand the book. While it does not take the place of the book it is a really good learning tool, Summary: |
| The Book of Memory: A Study of Memory in Medieval Culture (Cambridge Studies in Medieval Literature)
Publisher: Cambridge University Press |
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| ISBN: 0521429730 List Price: $35.99 Amazon Price: $35.99 Usually ships in 24 hours |
Avg Cusomer Rating: 5 Reviews: Summary: A Window on the Past... This extraordinary book and its companion volume, "The Craft of Thought," represent the most thorough, complete and accurate treatment of the arts of memory available in English. If you have a good academic vocabulary and a latin dictionary handy, this is quite a page turner. It gives you a look inside the heads of ancient and medieval scholars, whose imaginary "memory machines" are conceptual forerunners to the random-access memory in modern computers. Its themes are also a revelation to anyone interested in medieval art history. For example, after reading this, one realizes that medieval manuscripts were colorfully illuminated for the purposes of recollection, not just to make pretty pictures in the margins. This work expands and corrects some of the conclusions of Frances Yates in her pioneering work, "The Art of Memory." This is an intellectual thrill ride! Summary: fine academic work I agree with the reader from New York who praises the scholarship on display here from Prof. Carruthers. Memory, so long a darling subject among intellectual elites, has fallen out of favor among modern intellectuals. Carruthers does an admirable job of re-locating it on our cultural maps. _The Book of Memory_ suffers, however, in comparison with Frances Yates' classic text, _The Art of Memory_, which manages to be sweepingly ambitious, rigorous, and engaging. Carruthers is more academic. Yates' book is a masterpiece, whereas this one is merely superb. Summary: Comprehensive and well-written academic text Carruthers's *Book of Memory* deals with the ways reading, composition, and memory interacted in the Middle Ages. She explores the way texts were used as memory tools or mnemonic devices by medieval readers. Texts, she argues, were not meant to be simply informational. Instead, readers and listeners used mnemonic skills to store the information gleaned from texts in their minds and use that information as the matter for future composition or meditation. Carruthers's writing is clear and informative. This text is comprehensive, often fascinating, and displays the author's vast knowledge of her subject matter. I would highly recommend this book to anyone interested in expanding his or her understanding of memory and composition in the Middle Ages. However, this book is not for everyone. It is very dense and goes into great technical detail about its subject matter. Students of medieval language and history will find it most useful. Summary: |
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