Books for/about - digital production


 

 
iMovie 6 & IDVD: The Missing Manual (Missing Manual)

Publisher: O'Reilly Media
Authors: David Pogue

ISBN: 0596527268
List Price: $34.99
Amazon Price: $23.09
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Avg Cusomer Rating: 5
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Summary: Great Book For Home Video Editers
Perusing some of the other reviews listed for this book, I couldn't help but notice 1 individual complain about the lower quality paper that was used to produce 'iMovie 6 & IDVD: The Missing Manual' by David Pogue. I feel the need to comment on this because I am a HUGE fan of the Missing Manual line of books and feel the need to defend the line as it is as good as technical books come for your everyday user/reader.

Is the quality of the paper lower than it could be? The answer is YES but you have 2 choices: better paper with a $35 retail price that is 200 pages in length or the same price with slightly lower quality paper and FIVE HUNDRED pages of material.

As with all the other Missing Manual books, this is an outstanding piece of work that will enable all Mac users who want to do video editing or even make top-notch home movies in no time at all. Written exceptionally well, laid out into 17 chapters which are as follows:

01. The DV Camcorder
02. Home Video to Pro Video
03. Special Effects 101
04. Camcorder + Mac = Pure Joy
05. Move Making
06. Transactions & Special Effects
07. Titles, Captions, Credits
08. Narration, Music, Sound
09. Still Pictures & QuickTime Movies
10. Professional Editing
11. More Camcorder Fun
12. iMove to QuickTime
13. Movies on other Devices
14. QuickTime Player
15. iDVD Projects
16. iDVD Themes
17. iDVD Secrets

If you have a Mac and want to do movie editing or you currently perform movie edits and want to learn to do them on an easier to use platform that is made for the task at hand, pick up this outstanding book and get editing today!!
Summary: Worthy Update in the iMovie Series
I want to concentrate mostly on the differences between this edition (iMovie 6) and the previous (iMove HD (5)). Physically, the book is solid. As other reviewers mentioned, the pages are no longer the glossy kind, but they are thick and smooth, and I can't see any loss in detail in the graphics or screen shots. In addition, since the pages are no longer glossy, they don't reflect light when the book is sitting on my desk. So, it is easier to read. For my money, this is an improvement. The book is about half a dozen pages lighter, but physically it is slightly thicker, so you know the pages still feel solid not thin or flimsy. One final note, the front cover did separate from the binding after reading it for a couple days. It did not detach in the back. This doesn't bother me, but I wanted to mention it.

That's probably way too much on the physical. What's inside? Pogue and Sadun (who writes the iDVD chapters) have thoroughly updated the book. I'm impressed with the small changes through out to make the entire book better. The book is slightly shorter, as I mentioned, but it is the same font type and size. Obviously, some material has been deleted. Pogue spends less time reviewing the older camcorder technologies. Also a few minor features that have disappeared from iMovie are gone too, like importing songs into your movies directly from CD. Some sections are streamlined, like how the trash (and disk space usage) works. This topic, in particular, used be in various places, but the new book represents a consolidation of that material. In the iDVD section, they've eliminated the section on how to customize iDVD and also the themes catalog. The latter was a disappointment to me. I like having a reference all in one place where I can review the various iDVD themes. I also liked the short advice associated with each theme, regarding when to use the theme and when not to (sometimes that advice was "never").

There is, of course, plenty of new material. All the new features of iMovie 6 are included: a new section on time-lapse recording and importing of footage, the graphic iMovie themes, GarageBand integration and movie scoring, audio "fx" (like reverb, etcetera), new sections on volume adjustments and locking audio clips to video (though these are not new features). Of course, creating video for the iPod is covered. This is new, since the video iPod is new within the last year. He has a small section on video sharing sites ("youtube" anyone?). And, the new "Share" menu is covered, although little on that menu is new, it's new that it is now in a menu. Finally the appendix on Troubleshooting has been reorganized and updated, although, understandably, much of the advice is the same.

Other new features are covered like full-sized previews or the ability to open mutltiple projects simultaneously, but these are covered as part of existing sections and not new sections. In addition to missing the catalog of iDVD themes, there is no catalog of iMovie themes either. Admittedly, there are only five of them, but why not have these catalogs when the book includes a catalog of the iMovie titles, effects, transitions, and even a list of the new audio effects.

I found a few typos, but they are minor. No mistakes in the actual coverage of the material and that's a big positive for this book.

Overall, a great improvement on the series. I probably should disclose that this is the fourth book in the iMovie Missing Manual series that I bought (five if you count that I bought two of the last edition), so I guess I would have liked this book regardless ... I found each new edition to be extremely helpful in getting me up to speed on Apple's latest version of iMovie and iDVD. This one is no different. It's a safe buy.
Summary: Good book on both movie making and iMovie
iMovie has tools that help your movie look professional, but the iMovie help files are very tedious to go through. There is a great deal of referencing, cross-referencing, and nothing is smoothly laid out. This book is another story, as it is very well laid out with clear instructions and illustrations. It is very long, but since these applications are powerful, it would be expected that any clear explanation of them is going to require some space.
What is particularly good about this book is that the author doesn't assume you are a professional video author, and he spends part one of the book helping you learn how to shoot videos and shares tricks that will make you good at it. Part 2 is dedicated to iMovie, and shares not just how to use the application, but the little extras that will make your video special - transitions, effects, titles, captions, and even how to work with sound in your movie. Part 3, on finding your audience, was another unexpected treat. There the author shows you how to move between iMovie and Quicktime, and how to post your movie to your phone, to the web, and even to the iPod. Part 4 of the book is on iDVD. I particularly liked the chapter on iDVD secrets, where the author shows how you can use AppleScript to customize iDVD itself.
I also own Pogue's other book on iMovie 5, and even though the chapters in this book have almost exactly the same titles as the book on the previous version, it is still a worthwhile upgrade for several reasons. Chances are, if you upgraded from iMovie 5 to iMovie 6, you did so to take advantage of the several upgrades to the new product such as the five new Apple-designed iMovie "Themes". Designed for ease of use, the user can easily drop movie clips or photos into these preset themes to give the project a professional look with each theme including full motion-graphic bumpers and transitions. There is also cinematic real-time titling and real-time video effects newly included in iMovie 6. Also, the audio in iMovie 6 has been greatly improved via greatly enhanced effects such as equalization and reverb. All of these new features are covered in the book. Finally this book covers the connection between iMovie and the iPod. There are also a host of subtle changes in the way that iMovie 6 works versus iMovie 5, and for that reason alone it is worth the price of the book to save yourself time and head scratching over problems. The only bad thing I can say is that the print quality of the book is not nearly as good as the previous edition. It is not good to scrimp on such things, especially if you are writing about multimedia and you need clear and aesthetically pleasing illustrations. I notice Amazon does not show the table of contents, so I do that here:
Part 1: CAPTURING DV FOOTAGE
1. The DV Camcorder
2. Turning Home Video into Pro Video
3. Special Event Filming
Part 2: EDITING IN IMOVIE
4. Camcorder Meets Mac
5. Building the Movie
6. Transitions and Effects
7. Titles, Captions, and Credits
8. Narration, Music, and Sound
9. Still Pictures and QuickTime Movies
10. Professional Editing Techniques
Part 3: FINDING YOUR AUDIENCE
11. Back to the Camcorder
12. From iMovie to QuickTime
13. Movies on the Web, iPod, and the Phone
14. QuickTime Player
Part 4: iDVD6
15. From iMovie to iDVD
16. iDVD Projects by Hand
17. Designing iDVD Themes
18. iDVD Secrets
Part 5: Appendixes
A. iMovie 6: Menu by Menu
B. Troubleshooting
C. Master Keyboard Shortcut List

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Video Shooter: Storytelling with DV, HD, and HDV Cameras (DV Expert)

Publisher: CMP Books
Authors: Barry Braverman

ISBN: 1578202892
List Price: $44.95
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Avg Cusomer Rating: 5
Reviews:
Summary: Excellent - highly recommend it!
Video Shooter is an excellent instructional guide. Braverman's unprecedented expertise and superior storytelling skills help guide readers through all the key topics and everything you'd need to know for professional video shooting and production. I highly recommend this book!
Summary: BARRY KNOWS WHAT HE'S TALKING ABOUT
What I like most about Mr. Braverman's book is how it speaks not only to the technical side but more so to the creative side. His insights are geared toward using talent and instinct within the given parameters of the tools and medium. The book was a fun and easy read with a humorous, conversational style and lots of pictures (which makes perfect sense given it's a book involving a visual medium). I highly recommend this book to anyone wanting to shoot a story (emphasis on STORY) without getting lost in the wonder of technology yet using that very technology only to free up the story. Hats off to Mr. Braverman for a handy how-to guide to get that story shot and out on screens.
Summary: Wonderful Book - A Must-Have
This book far exceeded my expectations, even after reading all the five star reviews. The text is both engaging and informative - a rare combination for what might be termed a "how-to" type book. Braverman's book actually stands as an interesting read aside from the technical and artistic information it imparts. His style is refreshingly candid and his guidance practical.

Braverman provides an overview of all the fundamentals necessary to maximizing the quality of DV and HDV productions, including issues related to the equally critical areas of compression and burning to DVD. There are certain limitations inherent in the DV and HDV format, including excessive depth of field and a propensity to burn-out detail in high-light situations. Braverman helps the video shooter address and compensate for those deficiencies - even where the productions are limited to shooting video of the family. After all, if video isn't well shot, it's not going to be watched.

I just wish Braverman would write his next book.
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The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age, Completely Revised and Updated

Publisher: Plume
Authors: Steven Ascher Edward Pincus

ISBN: 0452279577
List Price: $20.00
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Avg Cusomer Rating: 5
Reviews:
Summary: Great Book with comprehensive coverage
I bought this book few months back in order to study the film making process. The book has details for practically everything and best for beginners as well as professionals. however since the version dates 5 years old so I'd suggest anybody interested in learning the aspects to consider this book as a base and then also subscribe to a magazine as you'll have a know how of latest stuff happening in the movie making technology. something like movie maker magazine. anyway the book still deserve 5 stars for its content.
Summary: cinema student
This is a required text book, and is used in many colleges. It is a great book and it is so good to read that studying is not a chore
Summary: the filmmaker's handbook
great book if you plan on going into the film industry. i would recommend this book.
Summary:


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Digital Compositing for Film and Video, Second Edition

Publisher: Focal Press
Authors: Steve Wright

ISBN: 024080760X
List Price: $54.95
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Avg Cusomer Rating: 2
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Summary: Need to pay extra for additional exercises
Buyer beware. After paying for this book, the DVD-rom will prompt you to pay another US$30 for 80 additional exercises. That's a hidden expense which is not mentioned in the product description. This is wrong. I suppose for a book which is not intended for the beginner, the author assumes that you have the extra cash to spend on the additional exercises.
Summary: Magnificient Book
It's a very good book for learning digital composing, as it teaches everything from scratch, no matter the level of knowlegde of the reader.
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Digital Filmmaking 101: An Essential Guide to Producing Low Budget Movies

Publisher: Michael Wiese Productions
Authors: Dale Newton Gaspard Newton John Gaspard

ISBN: 0941188337
List Price: $24.95
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Avg Cusomer Rating: 4
Reviews:
Summary: Not amazing but a great resource.
Although this book is not amazing. It does guide you through the process of acctually producing a digital production. Do not expect any advice or anything about shot composition, cinematography, editing or any of the creative aspects of film making. This is a book that teaches you how to organize, and get your project done at a low cost. It takes you through all the steps you must go through to acctually get a feature length production finished at a low cost. Good book but not amazing.
Summary: Should be your "first buy"
When I decided to go down the path of becoming an indepedent filmmaker, I knew I needed to read up on the subject. After reading various reviews, I decided to get Digital Filmmaking 101 by Dale Newton and John Gaspard. I'm SO glad I did. This book is amazing! It covers everything you need to know about independent digital filmmaking, all from the perspective of doing it on a shoe-string budget.

Although it doesn't go into great detail on any one subject, it covers every aspect to at least a general level, making this a great introductory text. I've read it cover to cover at least three times and have re-read specific chapters several more times on top of that.

Newton and Gaspard's writing style is humorous yet matter-of-fact and you always get the feeling they are in your corner. Most other books written by industry experts tend to have a "talking down to you" tone to them.
Summary: Book could be better
After reading, In my opinion, there are vital topics not covered.
Summary:


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Hollywood 2D Digital Animation: The New Flash Production Revolution

Publisher: Course Technology PTR
Authors: Sandro Corsaro Clifford J. Parrott

ISBN: 159200170X
List Price: $39.99
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Avg Cusomer Rating: 5
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Summary: Best book on Flash animation, best book on working in Hollywood
Although this book is written for animators with intermediate Flash skills, anybody in animation and general Flash users would greatly benefit from reading this book. Even if someone just wants to use 3D wireframes to spice up a client's product in Flash on a webpage, they'll save time and frustration by first reading the numerous tips and workarounds that the pros use as detailed in interviews throughout the book.

The book is truly an insider's guide to Hollywood 2D Digital animation, and it covers development, character design, preproduction, production, effects creation, pitching, sales and distribution. I've read many other books on film and television production and this is one of the best because it was written by people working in the heart of the industry.

Undercover Brother, Xombie and other web-based Flash short films have recently been repurposed into DVD releases and have been expanded into feature length movies. Flash on the web and its connection to TV and films is getting stronger everyday.

There are many suitable books on basic Flash skills and many basic animation books, but there's nothing like this exciting combination.
Summary: Excellent Animation Book
Basically only buy the book if you have already been exposed to some flash before. It contains wonderful details about film production and animation techniques unique to flash MX 2004. I highly recommend it!!!


Summary: This Sandro Corsaro has a Passion for Flash
I was on AWN.com and noticed a panel for The Flash Revolution in TV Production. I had about an hour to get to the Skirball Galleria. That was one spontaneous decision I'm glad I made because I got to witness the new wave in Flash animation cresting with this panel. The guy that brought all these creative people together is the author of Hollywood 2D. Everyone on the panel is also interviewed in this book relating real world use of Flash in the Television animation industry. The people were with Warner Bros, Disney and Indys and they all know their stuff.
And Corsaro knows his stuff and lays it out, not just Flash the program but the animation business and the service specialties in that insular biz. I was doing animation layout work for Curious George but I was new at it and was giving the art director some frustration. I asked him if there was a good reference book to learn a lot of things a layout artist has to know, nomenclature, pipeline conventions, etc. Corsaro's book, even though it focuses on Flash, is a great reference for animation people of all sorts. History, concepts, scheduling, pre-production, scripts, audio, post production. Tips, tips, tips. I've got underlined stuff on every page. Highly recommended. And believe it, Flash is coming on big time. Learn this program if you want some job security in the animation revolution that's just starting.
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Lighting for Digital Video & Television

Publisher: CMP Books
Authors: John Jackman

ISBN: 1578201152
List Price: $34.95
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Avg Cusomer Rating: 2
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Summary: A very elementary attempt at Video lighting
I don't usually criticize a book too badly, but this one just isn't cutting it (or the light for that matter)...it's so basic that if you have any knowledge of basic photographic lighting, don't even bother with this one because it's all repetition. I wanted to learn about lighting for subject movement and most of this is people sitting on their duffs (which is about 20% of the time)..you can tell the author photographs mostly sitting subjects - he may as well be a still photographer! And when he talks about onset and offset lighting, he says arrange it until it looks good - nothing is said about broad or short lighting and how it can flatter a thin or round face....He forgot about the most important thing - the subject. I teach a photographic lighting class, and this would not even be close to the book I would recommend. If you really want to learn about lighting, buy the book called: Set Lighting Technician's Handbook for film lighting equipment, Practice and electrical distribution by Harry C. Box. (this is really his name)....Anyhow, I'm not sure what I'm going to do with my expensive copy of Lighting for Video - I may use it for my next subject to sit on to raise their elevation for a photo - that's about all it is good for. Sorry, but horrible attempt at giving good examples of real life lighting situations - MOVEMENT !!
Summary: Excellent detail for the beginner
Lighting for video (or film) is really an artform in itself. Using different combinations of light sources can make your shot look fantastic.............but you really need to know what you're doing. This book teaches you that. It goes into great detail about electricity and how easy it is to overload a circuit and damage equipment, or worse yet, start a fire. Extremely important information to know. I've seen too many people who just plug lights in willy-nilly and when the inevitable disaster strikes just throw the breaker switch and 'give it another go'. This is essential reading for anyone wanting to use lighting for their productions.
Summary: The Best I've Seen
This book is very detailed but lays things out in a way that
does not overwhelm the reader.

It takes you through learning most of the proper equipment,
electrical terminology and safety, basic lighting techniques,
common problems faced on locations, more specialized techniques, etc.

An excellent start into the art and science of lighting and
probably the best book on the topic I've seen.

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Making Media: Foundations of Sound and Image Production

Publisher: Focal Press
Authors: Jan Roberts-Breslin

ISBN: 024080502X
List Price: $49.99
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Avg Cusomer Rating: 5
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Summary: Making complex issues clear
This book has been a real life saver for me on my first semester at graduate school. The other media books I had to read were overwhelming with never ending details and jargon language. Roberts- Breslin's book explains everything plainly from start to finish. She has an uncanny ability to simplify extremely complex matters. Even with no prior knowledge of the technical aspects of media making I now have a solid foundation.

The main terms are bolded, and also listed in the end so you can read the book beginning to end or just look up specific topics. The attached CD is a great addition as it visually illustrates concepts that are difficult to explain verbally, such as the different camera movement (What is the difference between the pan and truck movement?) or the phi phenomenon.

Another great thing about the book is the practical tips it gives to a beginner. Logging all my footage, for example, would have never accrued to me, but it made editing so much more manageable and must have saved me hours upon hours.

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