Publisher: Hotei Publishing
Authors: Nancy Heimburger Marco Bratt
List Price: $75.00
Amazon Price: $47.25
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Reviews:
Summary: Crappy Bar napkin sketches
The following is an opinion for which we are all entitled: Although this book does tell you something about each artist and shows one sketch from each artist, it is more like a "Collection of bar napkin sketches". Most are of poor quality as if the artist could care less when he/she had drawn them and a very few are of some quality. As an award winning artist of over 35 years experience, I felt it was a complete waste of money as far as being helpful to further my talents or to "just plain enjoy". I would never show such "doodles" in a book to represent what I can do. For something to glance through to kill time, I would say fine, go nuts. Overall....I AM NOT IMPRESSED!
Summary: One of my Top Five Tattoo Books
This book is big, hard, and beautiful. It is loaded with fantastic tattoo pics. This book is a "must-have" for any tattoo library. 'Nuff said!
Summary: graphic gems from tattoo artists: a pathbreaking book
Rarely has the tattoo art form enjoyed a presentation in a volume as remarkable as Heimburger and Bratt's "The Sketchbook: 80 Unique Designs by the World's Finest Tattoo Artists." For starters, the "Sketchbook" does not feature photographs of tattooed bodies but rather brings together a set of original graphic designs produced by artists expressly for this collection. Then there is the beauty and quality of the book itself, which has been published by Hotei, the Leiden-based publisher best known for its first-class books on Japanese prints.
Most of the artists represented in the "Sketchbook" are fairly young and, with the exception of several members of the Leu Family of Lausanne, are not yet well-known. Their work is complex, however, and the short autobiographies provided by each artist provide insights into the special world and close relationships of the international community's best tattoo practitioners. Traditional Japanese tattoo themes dominate the graphic work, but fans of modern art in general will note and enjoy the resemblance of much of the work to that of the 20th-century surrealists and even to the specialized art genre known as exquisite corpses. Indeed, the artwork presented is so fascinating and potentially rich in symbolism that I wish it had been displayed at The Drawing Center in New York's Soho district and introduced by scholars of modern graphic art.
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